MARC FORNES & THEVERYMANY™
ART + ARCHITECTURE ^ COMPUTATION [ Python / Rhinocommon SDK ]ACADEMIA
inOrganic Assemblies
inOrganic Assemblies v2.0 (scripting & logistic of production for the ”many”)
Marc Fornes
Spring 2010 | Harvard / GSD
inOrganic Assemblies
STUDIO MARC FORNES (+ Dave Pigram)
Spring 2009 | University of Michigan
(n)Certainties *
(n)Certainties v5.0 :: New York
STUDIO FRANCOIS ROCHE / MARC FORNES (+ assistant: Mathew Staudt)
Fall 2009 | GSAPP Columbia | www.ncertainties5.wordpress.com
(n)Certainties v4.0 :: Los Angeles
STUDIO FRANCOIS ROCHE / MARC FORNES / STEPHAN HENRICH
Fall 2009 | USC / University Of Southern California | www.ncertainties4.wordpress.com
(n)Certainties v3.0 :: Vienna, Austria
STUDIO FRANCOIS ROCHE / MARC FORNES / STEPHAN HENRICH
Fall 2008 | Die Angewandte | www.ncertainties3.wordpress.com
(n)Certainties v2.0 :: New York
STUDIO FRANCOIS ROCHE / MARC FORNES
Fall 2008 | GSAPP Columbia | www.ncertainties2.wordpress.com
(n)Certainties :: New York
STUDIO FRANCOIS ROCHE / MARC FORNES
Fall 2007 | GSAPP Columbia | www.ncertainties.wordpress.com
“Uncertainties” is a mix borrow from Dr. Heidegger‘s “Experiment” (where he develops on the notion of “Ambiguity” and “Uncertainty”) and Heisenberg‘s break through theory of Quantum mechanics(1) describe in “The Uncertainty Principle”.
(1) “The uncertainty principle is certainly one of the most famous and important aspects of quantum mechanics. It has often been regarded as the most distinctive feature in which quantum mechanics differs from classical theories of the physical world. Roughly speaking, the uncertainty principle (for position and momentum) states that one cannot assign exact simultaneous values to the position and momentum of a physical system. Rather, these quantities can only be determined with some characteristic ‘uncertainties’ that cannot become arbitrarily small simultaneously.” (Link)
Articulated for the first time in Fall 2007 – (n)Certainties - seemed at the time the perfect encapsulated notation for an hybrid interest situated between uncertainty / indetermination / open ended as design narratives - and on an other end the precision of computational protocols of production (from process of production to morphologies) - and therefore explicit through the permutation of the prefix “un” by the very cliche of computation notation: the letter “n”.
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(n)Certainties v2.0 :: New York
STUDIO FRANCOIS ROCHE / MARC FORNES
Fall 2008 | GSAPP Columbia | www.ncertainties2.wordpress.com
Students work – Credits: Matthew Lutz, Mariliis Lilover, David Ricardo Davila, Chi-Chen Yang, Jose Araguez, Mathew Staudt, Joe McGrath, Sungyong Lee, Charles Valla, Thad Nobuhara, Adolfo Nadal, Eduardo Mayoral, Leuyu Chen
PAPER | Mariliis Lilover
SMEARING | Mathew Staudt
PLASTIC | Charles Valla
GLASS | Matthew Lutz
GLASS | Chi-Chen Yang
STRAW | Leuyu Chen
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(n)Certainties v3.0 :: Vienna, Austria
STUDIO FRANCOIS ROCHE / MARC FORNES / STEPHAN HENRICH
Fall 2008 | Die Angewandte | www.ncertainties3.wordpress.com
Student’s work exhibition – Opening: 17. March 2009, 20:30
Students Work - Credits: Mirta Bilos, Rasa Navasaityte, Raffael Petrovic, Galo Moncayo, Dominik Strzelec, Martin Kleindeinst, Vladimir Ivanov, Mirko Daneluzzo, Martina Lesjak, Jan Gronkiewicz, Valerie Messini, Adam Orlinsky
/// Adam Orlinsky
SCENARIO [ SUBSTANCE > ROBOT > PROTOCOL OF MORPHOLGY ]
/// Jan Gronkiewicz and Valerie Messini
/// Dominik Strzelec and Galo Moncayo
/// Raffael Petrovic
/// Martin Kleindienst and Vladimir Ivanov
/// MirkoDaneluzzo and MartinaJohannaLesjak
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